Cost: £60 – to book, email Rob – firstname.lastname@example.org
This workshop explores solos and duets and is informed by Charlie and Scott’s own movement investigations.
Their approach is influenced by their shared experience of working with contact improvisation, Steve Paxton’s Material for the Spine, and Lisa Nelson’s Tuning Scores.
The workshop will employ skeletal imaging and movement, with particular attention given to the pelvis as root, and the spine as a limb, for integrating spherically and dimensionally into space.
Anatomical explorations with their root in Material for the Spine will be re-imagined and explored in relation to working with another body/bodies and space.
The work will range from detailed anatomical explorations through to full-bodied movement in space, in solo, duet and group explorations.
Charlie Morrissey is a director/choreographer, performer, teacher, and researcher, who has been working in the field of performance for 30 years.
He creates large and small-scale site-specific and theatre and gallery based performance work in diverse contexts and locations; he organises and collaborates in a variety of performance research projects; and performs and collaborates in the work of other performance makers.
His work is influenced by ongoing working relationships with Steve Paxton, Siobhan Davies, Lisa Nelson, Kirstie Simson, Scott Smith, Katye Coe, K.J.Holmes, Katie Duck and others.
Teaching is central to his practice and his classes are laboratories for exploration and discovery. He teaches for dance and theatre companies, institutions, festivals and independent organisations internationally.
Recent and upcoming projects include performances of Materials rearranged to be with Siobhan Davies Dance; What Happens When – a commission from Joint Adventures with Andrea Buckley, Orlando Gough and members of the Munich Philharmonic Orchestra in Munich; a new group work currently in creation: If this is it, then what are we going to do with it with Ben Ash, Neil Callaghan, Katye Coe, Tom Goodwin and Susanna Recchia; performances of a solo directed by Colin Poole, and performing in Quarantine’s Wallflower this Autumn.
Scott Smith started his dance studies in 1977. Originally from the American mid-west he has lived and worked in New York and Seattle., and is currently living in the United Kingdom.
He teaches dance, makes performance, composes music for live performance and film/video.
Scott studied and performed for several years, with Steve Paxton via contact improvisation and material for the spine, and was a founding member of ‘Image Lab’ with Lisa Nelson, KJ Holmes and Karen Nelson, developing ‘tuning scores’, researching the realm of the senses and perception as foundational to form and composition.
His initial training’s and professional performance experience included modern and classical dance forms, and he has worked for dance companies in Kansas City, New York, Berlin, and London.
Since the early 90’s, Scott has been focusing his practice in new dance and improvisational work, and maintains ongoing collaborations and performance/video making with Lisa Nelson, Charlie Morrissey, Becky Edmunds and others.
He plays American folk and roots music in the band Porchlight Smoker.