Jemima Foxtrot: Above The Mealy-mouthed Sea
RECOMMENDED AGE 14+ DUE TO STRONG LANGUAGE AND ADULT THEMES
Poet/Spoken Word Artist Jemima Foxtrot grew up in and around Hebden Bridge. Her new show follows her stunning debut Edinburgh Fringe show Melody which she performed to a spell-bound audience at Wainsgate in 2015.
A woman stands in front of a microphone. She can’t remember the punchline.
Fusing poetry and song, award-winning Unholy Mess return with a funny, strange and poignant play about growing up and inescapable truths. Performance poet Jemima Foxtrot takes you on a powerful journey exploring memory, childhood and what happens when we can’t quite get the story right.
"The brilliant Foxtrot is the one to watch" The Observer
“a glittering show, a gem in every sense, a shining thing” The Stage on Melody
Above the Mealy-mouthed Sea is an Unholy Mess Production in association with Clapham Omnibus.
Writer-Performer: Jemima Foxtrot
Writer-Director: Lucy Allan
Designer: Mayou Trikerioti
Choreographer: Tara D’Arquian
Sound and Poetry Consultant: Hannah Silva
Associate Producer: Felicity Paterson
Rachel McCrum and Caroline Bird
Performance poetry event
Award-winning poets Rachel McCrum and Caroline Bird, both acclaimed poets in their own right, are teaming up for a double headliner spoken word show, touring venues in England, Scotland, Wales, Northern Ireland and Ireland reading poems from their most recent collections.
Rachel McCrum – The First Blast To Awaken Women Degenerate
The eagerly anticipated debut collection from the award-winning Rachel McCrum. Recognised as one of Scotland's highest profile poets and performers, her first collection asks questions of displacement and of the elasticity of space; of human defensiveness and of animal aggression; of inertia and movement: of threat and of resistance. What happens when we raise our voices? What happens when we are no longer heard?
Caroline Bird – In These Days of Prohibition
In her fifth collection of poetry Caroline Bird surrenders her poetic weaponry and goes on a quest to write the ‘simple truth’. The surreal imagery of her early work is re-deployed to venture into the badlands of the human psyche. Her poems hold their subjects in an unflinching grip, addressing faces behind the veneer, asking what it is that keeps us living. In These Days of Prohibition are days of intoxication and inebriation, rehab in a desert and adultery for atheists, until finally Bird edges us out of danger, ‘revving on a wish’.